Twinkle khanna dating history

Mehboob Khan's Mother India (1957), a remake of his earlier Aurat (1940), was the first Indian film to be nominated for the Academy Award for Best Foreign Language Film, which it lost by a single vote.Successful actors at the time included Dilip Kumar, Raj Kapoor, Dev Anand, and Guru Dutt, while successful actresses included Nargis, Vyjayanthimala, Meena Kumari, Nutan, Madhubala, Sadhana, Waheeda Rehman and Mala Sinha.Around that time, filmmakers and actors from the Bengali film industry based in Calcutta (now Kolkata) also began migrating to the Bombay film industry, which for decades after partition would be dominated by actors, filmmakers and musicians with origins in what is today Pakistani Punjab, along with those from Bengal.Some of the most critically acclaimed Hindi films of all time were produced during this period.The masala film was pioneered in the early 1970s by filmmaker Nasir Hussain, directed by Manmohan Desai and written by Kader Khan.

The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which consolidated Amitabh Bachchan's position as a lead actor.Bollywood is part of the larger cinema of India (also known as Indywood), Indian cinema is the world's largest film industry in terms of film production, with an annual output of 1,986 feature films as of 2017, and Bollywood its its largest film producer, with 364 Hindi films produced annually as of 2017.The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal.Examples include Pyaasa (1957) and Kaagaz Ke Phool (1959) directed by Guru Dutt and written by Abrar Alvi, Awaara (1951) and Shree 420 (1955) directed by Raj Kapoor and written by Khwaja Ahmad Abbas, and Aan (1952) directed by Mehboob Khan and starring Dilip Kumar.These films expressed social themes mainly dealing with working-class life in India, particularly urban life in the former two examples; Awaara presented the city as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life.

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